Camp Creek Blog

beautiful kid space

Published by lori on November 5, 2007 at 03:55 PM

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Mari Eriksson has some beautiful photos on her blog of her home, including some truly inspirational kid spaces.

All posts on this blog that have to do with children's spaces in home or school are tagged "environment". An explanatory quote from The Hundred Languages of Children:

A Space That Teaches

The environment is seen here as educating the child; in fact it is considered as 'the third educator' along with the team of two teachers.

In order to act as an educator for the child, the environment has to be flexible: it must undergo frequent modification by the children and the teachers in order to remain up-to-date and responsive to their needs to be protagonists in constructing their knowledge. All the things that surround the people in the school and that they use — the objects, the materials, and the structures — are seen not as passive elements but on the contrary as elements that condition and are conditioned by the actions of children and adults who are active in it.

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In our school this translated to a classroom that was very open and flexible, with areas that could be transformed according to the children's interests and project work. An open area that had a play kitchen, table, chairs, couch, etc., during one season was transformed into a library for several months, a skating rink, a rocket ship factory.

At home, children need space to build and — I think this is key — room to keep a project out while they are working on it.

Again, we talk about children having short attention spans, but we make them clean up their projects and put them away each evening! How can they do extended work, adding layer upon layer of understanding, if they can't keep an unfinished painting? LEGO structure? block city? cardboard box building?

Children need the opportunity to work on something again and again, until they decide they are finished. One of the things I love about Mari's spaces is that they are so fresh and spacious. Empty space gives ideas room to grow.

 

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In the dollhouse

Published by lori on November 4, 2007 at 01:00 PM

hoth1.jpg Construction of the Jedi temple has not quite begun. The research period is in full swing, which involves a lot of stop-action watching of the second trilogy.

In the meantime, a small box was added to Jack's birthday LEGO set, the Hoth base, to enhance it to his standards. (Empire Strikes Back is my favorite Star Wars movie. All we need now is an AT-AT.) There is also going to be some painting of the old corkboard he's using as the ground -- white, for snow, of course.

Soon the temple will begin to be built for real. So much debating about what will make the best elevator, etc.

One great thing about homemade constructions — Jedi temples, car garages, dollhouses, etc. — is that there is no guilt when you dispose of them when they are no longer played with. Also, they are, of course, the ultimate green choice — don't buy new, don't buy at all! Make something out of recycled materials, which can later be recycled again when you are finished.

hoth2.jpgMost important, there is an entire creative research, materials choice, construction, and decoration that the kids get to do. It becomes art, craft, and science project in one. (Have you ever made a garage door? an elevator? a rotating helipad? Simple machines, baby.)

msk-carwash.jpgYou may remember the great Martha Stewart Kids article about making a car wash and garage out of things from around the house. (Why did they cancel that magazine again? Best magazine ever. I saw an entire set for sale on Ebay not long ago. Too rich for my blood, but boy would I love to get a hold of the issues I missed.) I have tried in vain to find it on Martha's website; it was in the MSK winter/spring 2003 issue.

Elisabeth Dunker of Fine Little Day has a fantastic flickr set of the wonderful dollhouses she and her daughter made. They are wonderful, and they remind me of a classier version of Phoebe's dollhouse on Friends.

I want to make one of those for myself.

Dutch of Sweet Juniper made his daughter a quick, inexpensive, modern-style dollhouse that I lurv.

Of course, another great thing about the homemade dollhouse/garage/Jedi temple is that you don't have to worry about those pricey dollhouse dolls and accessories. You can use what you already have on hand -- action figures, Hotwheels, Polly Pockets. Start with the people to choose your scale.

Of course, anyone who owns a dollhouse will tell you that it is inevitably overtaken by unusually large and/or small friends anyway. The Hamburglar living in the back bedroom, Strawberry Shortcake hanging out in the kitchen, not to mention plastic dinosaurs and teeny plastic jungle animals lurking around the back door.

Then there's this groovy modern plexi dollhouse from Better Homes & Gardens Gifts to Make Yourself in 1972. Love the fireplace, baby.

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Not as futuristic as a Jedi temple, but still plenty cool.

Finally, our friends Pete and Tom made this amazing Dalek city. Super cool, isn't it? Show that to any medium-size child and the ideas should start popping.

Terrariums

Published by lori on November 3, 2007 at 01:00 PM

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Cookie Magazine has a great little online article about terrariums.

We still have the raw materials for our project sitting in a nice, neat pile (maybe with a cobweb or two) out in the barn.

I never did find the Martha Stewart Kids magazine with the instructions and photos about paludariums. While hunting for it, however, I undercovered another half-dozen MSKs in random parts of the house. So it was totally worth it.

And now, just like my favorite shelter magazines, the High and Low versions of terrarium decorating:

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High (classy Cookie Magazine): Terrarium, $118. Tyrannosaurus, $12.

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Low (cheap Lori's version): Aquarium, 10 bucks. Brontosaurus, $1 at dollar store.

Whatever your price point, you and the small child in your life can find happiness with a miniature jungle. Enjoy!

Questions

Published by lori on October 30, 2007 at 10:16 PM

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“We learn more by looking for the answer to a question and not finding it than we do from learning the answer itself.” — Lloyd Alexander

“To trust children we must first learn to trust ourselves ... and most of us were taught as children that we could not be trusted.” — John Holt

“The key is curiosity, and it is curiosity, not answers that we model. As we seek to know more about a child, we demonstrate the acts of observing, listening, questioning and wondering. When we are curious about a child's words and our responses to those words, the child feels respected. The child is respected. ‘What are the ideas that I have that are so interesting to the teacher? I must be somebody with good ideas.’” — Vivian Paley

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Mentoring the perfectionist child

Published by lori on October 30, 2007 at 03:24 PM

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Along with being intractable, my older son is also a perfectionist.

I had hoped to avoid this. I was a perfectionist as a child (I claim to be partly cured), and I know what it cost me. I avoided any activities that I didn't immediately excel in. (Not that there were many.) (I kid.) I wanted him to be able to relax and enjoy life more.

Alas, genetics trump intentions, and he is a perfectionist to the core.

The boy uses a lot of erasers. He crumples a lot of paper. He shows me a drawing that I think is amazing in its detail and clarity, and then he crumples it up and throws it away five minutes later. I now try to grab things from him before they get destroyed, or I beg him to give them to me instead of tossing them. He says, "No! I don't want anyone to see that!"

It is difficult to compliment a perfectionist child. You say, "That is a great drawing. You really included a lot of detail." He responds, "It isn't that good. I didn't draw the feathers right. The eyes don't look right. I really don't like it..."

We do a few different things to try to mitigate this tendency. He's homeschooled, so he can't easily compare himself to others. (Before, he was in a multi-age class in a private school, in a similar situation.) I work with him to set reasonable goals for himself. He does a lot of art and other creative pursuits, where the enjoyment is in making and there's no particular end goal.

We talk about the process, and how fun it is to simply read books about something that interests us, visit places we've never seen before, talk to new people. We stress that mistakes are necessary for learning, and if you aren't making mistakes, you aren't learning. We share our own mistakes, and try to model accepting our failures gracefully.

At the beginning of a new project, we talk about what might go wrong that we'll have to deal with, or what difficulties we should expect, emphasizing that something will always go wrong. (Perfection is not possible!)

We acknowledge his perfectionism and call him on it, and we share our own experiences with it.

Finally, we make an effort to celebrate all of his achievements, so he won't gloss right over them and head immediately for the next difficult goal.

The thing that is really hard, and really amazing, is giving up on being perfect and beginning the work of becoming yourself. — Anna Quindlen

See also:

It's not (all) about the art

Perfectionism and praise

PTA: Preventing Perfectionism in Children

Working with wire

Published by lori on October 29, 2007 at 10:20 PM

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Our wonderful friend Emily gave the boys this fantastic book this weekend: Bird Songs: 250 North American Birds in Song. It's a wonderful addition to their bird books, and the boys absolutely love it.

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Jack returned to his bird sculpture this week, but set his armature aside and, using the new book as his reference photo, made a beautiful mostly two-dimensional wire sculpture instead. Running outside to find a stick for a perch was an exciting part of the process.

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Tomorrow, he says he's going to engineer a wire harness to hold the bird on its perch.

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Of course, the label has fallen off the wire he used, but it is an ordinary spool of wire purchased at the hardware store, thin enough to be bendy, thick enough to be strong and hold its shape. It cuts with ordinary snub-nosed kid scissors. And the only tool he used, other than his own two hands, was a pair of jewelry pliers made to curl wire (no cutters!), and he didn't need those; they were just fun to use.

The relentless learner

Published by lori on October 29, 2007 at 04:31 PM

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Yesterday, I wrote a little about my older son, the intractable child.

So, how do you work with such a contrary being? He doesn't want you to impose your will; heck, he doesn't even want you to suggest your will. He doesn't want to hear your ideas; in fact, if he hears them from you, he'll draw a big black line through them.

You may start to think, well, fine, he says no to everything. He refuses every suggestion. He shakes his head politely at every offer. He's not going to do anything! He's going nowhere! He had a great idea, but now he's doing nothing with it!

What I've found, however, at least with my intractable child, is that he not only doesn't stand in a corner, like Bartleby, doing nothing, he actually is a relentless learner.

When someone talks about something he doesn't understand or know about, he goes to look it up, or he demands a full explanation. He doesn't want to be ignorant. He wants to understand what's going on.

When he has an interest, the best way I can encourage him isn't to offer books or materials or field trips (things my younger son accepts with a smile). The best thing I can do is ask questions. What are you going to do? How can you find out about that? Is there anything I can do for you?

When we start a first project with the youngest children (three year old's), we start by listing their questions. Then we ask them, How can you find out what you want to know? This leads to brainstorming: We can ask my dad! We can call my grandma! We can look in a book!

We do this because we don't just want to learn facts about birds, or rivers, or outer space. What we really want to learn is how to learn. That is the curriculum that matters. How do we find information? How do we locate and talk to experts? How do we know when our question has been answered?

My son has been doing project work for seven years. He not only knows the process, he demands the process. He insists on being in charge.

So I go back to square one, and I ask the questions. How can you find out what you want to know? What are you going to do? Is there anything I can do to help you?

And even when I step on his toes, and he shuts down an entire line of inquiry because he feels like I got too involved, he doesn't just sit in the corner and do nothing. He just alters his course, smoothly, and keeps moving forward. Because he is a relentless learner.

Projects and the intractable child

Published by lori on October 28, 2007 at 04:18 PM

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My ten-year-old has taken our lessons to heart. He is the architect of his own learning. He can learn about anything that interests him. We will provide him with whatever help he requests. (Emphasis on requests.)

If you have ever known a child who reacts to your suggesting a book by saying, automatically, without even thinking about it, "No thanks", you are familiar with this child.

If you have ever suggested to a child an activity that simply reeks of excitement and fun, only to be met with a casual, "Yeah, I don't think so, no thanks," you are familiar with this child.

Now that he is ten, things have improved. I can suggest a book without his immediately saying no. He is reading, and immensely enjoying, Kon-Tiki right now on my recommendation. He is pretty confident now that I won't force him to read a book he doesn't want to read.

Although he still has his doubts.

When he went through a stage of intense interest in Flickr, I pulled out a big pile of Time/Life Photography Series books that I bought years ago at a library sale.

He got very excited about a story about Joseph Pulitzer and how he was the first publisher to include sensationalistic photographs in his newspaper. (This was in the volume "Photojournalism" — these books were published in 1971, btw.) He was talking a mile a minute and gesturing and laughing. Before he told me the story, however, he paused to say significantly, "I wasn't reading about how cameras work or anything. It wasn't about that." It was like he was saying, "I know why you gave me these books — I'm onto you — and I didn't do what you wanted."

The directions he took his interest in — starting with Flickr — were places I couldn't have predicted. We talked about art — what is art, what's not. We talked about how pictures tell a story — or don't accurately reflect the truth. We talked about geography and places we want to visit.

I eventually realized that to him, Flickr was a toy, and he was playing with it. He was looking it up and down and all around and figuring out what it could do. He was running around the room with it making zooming noises like it was an airplane, then he was walking it across the floor and laughing. He was turning it inside out. He was in discovery mode. He was in the zone — the flow state — calm, relaxed, completely plugged in, energetic, and focused.

Anything I did that made it seem like I was dictating what he should do would make him stop in his tracks. It would break the spell.

Over time, I've become better at how I make my offers of assistance — emphasizing it's only a suggestion, and he can take it or leave it as he wishes. And he has become better at considering my offers, not always rejecting them out of hand.

The biggest lesson has been mine. I realized that I can't predict where he is headed. It is entirely his own direction, plotted out according to his needs, his interests, his goals. And I don't want to get in the way of that, so I need to hang back and make sure I'm supporting him, but not tripping him up by trying to anticipate where he wants to go. He'll let me know where he wants to go.

Beautiful book week: a hole is to dig

Published by lori on October 27, 2007 at 01:10 AM

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I'm trying for another one that maybe isn't as well known: A Hole is to Dig: A First Book of First Definitions.

This is one of my absolute favorite children's books. It makes a wonderful present. It is as enjoyable for grown-ups as for kids. It's illustrated by Maurice Sendak (who needs no introduction) and written by Ruth Krauss (whose carrot you probably remember).

It can magically cheer you out of any small- to medium-size funk.

I love this beautiful book.

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Comics project: Extending ideas

Published by lori on October 26, 2007 at 12:28 PM

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When Jack was first interested in/obsessed with Calvin & Hobbes, he started by reading the books over and over and over.

Then he started drawing the comics. He tried to draw the characters as closely as he could to the originals. He filled two sketchbooks with these drawings.

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It was at that point that I thought, hey, why not?, and began to support his deep interest with project materials and resources.

It is fascinating to watch as he makes the work more and more his own, as he becomes more confident. After mastering drawing the characters, he began copying whole strips.

After mastering copying the strips, he moved on to making up his own original C&H stories and drawing those.

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After filling a book with his own C&H comics (which were hilarious, and very much in the original style), he invented his own comic, George and Falkin. George was the grown-up son of Calvin and Susie (Calvin married Susie Derkins!), and he had his own imaginary friend Falkin, a stuffed bear.

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At this point, I have to stop and just admire my 7-year-old's grasp of storytelling and humor. He drew Calvin's dad the same, but older, and used a lot of the same running gags as the original strip. As Calvin used to pretend to be Stupendous Man, George pretends to be Fantabulous Man. And so on.

He was no longer just copying, he was extending the ideas.

At each level, he sticks with one thing until he feels confident to make the next step. I play no part in this. I just watch and admire his work. I don't say, "Why don't you...?" or "You should..." (Sometimes it's difficult.)

At each level, he gains mastery (as defined and measured by himself) then moves on naturally and fluidly to the next, more complex thing.

His natural inclination is to stick with something until he thinks he does it well enough.

His natural inclination is to make connections (noting similarities between two comics, among the drawing styles of different cartoonists and illustrators, across story and character development.

His natural inclination is to reach out to other people --- to share his work, to talk in person with artists whose work he admires, to talk with people who do work that interests him.

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His natural inclination is to enjoy everything he does.

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If he doesn't someday become a professional cartoonist (right now he says cartoonist-scientist), he may not ever require the exact skills he is learning from this particular project. But he certainly is picking up a lot of intangibles and habits of mind.

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